Citas sobre Design
926 citas
With couture, you feel obligated to design something modern each season, but with Theyskens Theory, I don't question anything. I'm thinking of what I'd like to wear.
For me, if I can design beautiful things that have the price be lower, I am thrilled.
Books are but waste paper unless we spend in action the wisdom we get from thought - asleep. When we are weary of the living, we may repair to the dead, who have nothing of peevishness, pride, or design in their conversation.
Luck is the residue of design.
Let it be your constant method to look into the design of people's actions, and see what they would be at, as often as it is practicable; and to make this custom the more significant, practice it first upon yourself.
So I went for engineering, specifically product design, which I enjoyed.
Italy is full of historical buildings. And Europe holds a great history of philosophy from Greece until today. I read all those books and see these buildings, and I think of where I stand when I design my architecture.
Anything I do informs how I design. I wouldn't isolate any one activity. Everything I do feeds back to my life, and my life is expressed in my work.
The principle of the design - the harmony, rhythm and balance are all the same with interior and fashion design.
By the late Nineties, we had become a more visual nation. Big-money taste moved to global standards - new architecture, design and show-off contemporary art. The Sloane domestic aesthetic - symmetry, class symbolism and brown furniture - became as unfashionable as it had been hot in the early Eighties.
I live in a craftsman house, but I'm a big fan of modernist and mid-century furniture and architecture, too. But my dream is to do a truly original chair design, something that is all these different things but is my own, too.
There has to be the popcorn genre element, or I don't engage the same way. I like action and vehicle design and guns and computer graphics as much as I like allegory. It's a constant balancing game. I want audiences to be on this rollercoaster that fits the Hollywood mould, but I also want them to absorb my observations.
Chandeliers are marvels of drop-dead showiness, the jewellery of architecture.
I always look forward to the next project. That is one of the wonderful things about architecture - you always can hope for another project to design.
I don't know whether the universe contains any evidence of intelligent design, but I can assure you that thousands of everyday products do not.
Great designers seldom make great advertising men, because they get overcome by the beauty of the picture - and forget that merchandise must be sold.
My graphic design skills are superior to a lot of other things I can do; I use it as a part of my tool kit.
If you write your own tools, you can sort of see new things, design new things.
I don't like to design single objects. I like my pieces to have a relationship to each other. They can be mother and child, like the Schmoo salt and pepper shakers, or brother and sister like the Birdie salt and peppers, or cousins, like most of my dinnerware sets.
Space doesn't offer an escape from Earth's problems. And even with nuclear fuel, the transit time to nearby stars exceeds a human lifetime. Interstellar travel is therefore, in my view, an enterprise for post-humans, evolved from our species not via natural selection, but by design.
But active programming consists of the design of new programs, rather than contemplation of old programs.
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