Citas sobre Architecture
763 citas
I think architecture, to be really intense and fulfilling, doesn't have to be large.
I have a huge love for architecture.
Architecture is particularly difficult for women; there's no reason for it to be. I don't want to blame men or society, but I think it was for a long time, the clients were men, the building industry is all male.
I loathe when architects only analyze architecture in intellectual, nonvisual ways. I really love direct response, and that's very pop. I don't want to discuss abstract transparencies with a bunch of kooks.
It is good to learn from the ancients. I'm a bit of an ancient myself. They had a lot of time to think about architecture and landscape.
The audiences are really great. I really love it over there. I love Europe, period. Oh my God, all the architecture and all the history and just to the way people think and live is so different.
I left science, then I went into art, but I approach things very analytically. I choose to pursue both art and architecture as completely separate fields rather than merging them.
In the '60s when I was a student, there was this campaign to destroy 75 percent of the old buildings in Paris, replacing them with modern architecture. I realized this as a dangerous utopia. This modern vision did not understand the richness of the city. Thankfully, such destruction did not happen.
My buildings will be my legacy... they will speak for me long after I'm gone.
London, from the architecture to the culture to the fashion to the accents, feels like it's a special place.
Architecture is art, nothing else.
Modernist architecture and town planning is inimical to human beings... based on the Darwinian concept that evolution is open ended, that there must always be something new and better.
Form follows function.
Japanese traditional architecture is created based on these conditions. This is the reason you have a very high degree of connection between the outside and inside in architecture.
Architecture is a living thing. If I want to leave something to the future, it has to be able to change - but retain something of the ethos that we built up over 50 years.
I'm trying to create architecture as landscape. But I'm not copying nature.
You might say that when you step inside, you're entering a honorific space, but that's something totally different than experiencing it. And in architecture the experience comes first. That has the deepest effect on us.
Noble life demands a noble architecture for noble uses of noble men. Lack of culture means what it has always meant: ignoble civilization and therefore imminent downfall.
In architecture, Palladio is the game. It means hard thought all through - if it is labored, it fails.
To make architecture with any real value is a massive challenge.
I'm somebody who likes codes and ciphers and chases and artwork and architecture, and all the things you find in a Robert Langdon thriller.
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