Citas sobre Architecture
763 citas
What architecture does is what a coat does for our body. It wraps us.
I was interested in theatre, and the only experience that I had in high school was as an actor. But when I got in Conservatoire, my teachers would give me a lot of flack because I wasn't rehearsing my lines; I'd be doing stage management. I was interested in sound. I was interested in architecture. I was interested in every aspect of theatre.
In the 1950s, my family first lived in West Los Angeles. Dad was studying architecture at USC and we didn't have a lot of money. He'd buy crumbling fixer-uppers, make repairs and sell them for a small profit. Then we'd move on. My early childhood image of him is standing on a ladder and sanding the front door.
I would like my architecture to inspire people to use their own resources, to move into the future.
Architecture must not do violence to space or its neighbors.
I have a strong sense that every project is an invention, which is not a word I hear being used in architecture courses.
Historically, in the world of architecture, enormous amounts of care and energy have been lavished on things that are almost a cliched idea of culture.
I like things that are kind of eclectic, when one thing doesn't go with another. That's why I love Rome. The town itself is that way. It's where Fascist architecture meets classic Renaissance, where the ancient bangs up against the contemporary. It has a touch of everything. That's my style, and that's what my work is about.
My interest was always to do interdisciplinary work with space. I thought of architecture as one strand in a multimedia practice.
Good conductors know when to let an orchestra lead itself. Ninety percent of what a conductor does comes in the rehearsal - the vision, the structure, the architecture.
Just as it takes time for a speck of fish spawn to develop into a fully grown fish, so, too, we need time for everything that develops and crystallizes in the world of ideas. Architecture demands more of this time than other creative work.
The Bauhaus strives to bring together all creative effort into one whole, to reunify all the disciplines of practical art - sculpture, painting, handicrafts, and crafts - as inseparable components of a new architecture.
When I left the work world, I started designing my dream house. I dived into architecture and bought seven vacant lots. My plan was to build one house, move in, and build the next. If the next was better, I'd move in and sell the previous one - so on and so forth.
We all love musical architecture; there's no doubt about that.
The ultimate goal of the architect...is to create a paradise. Every house, every product of architecture... should be a fruit of our endeavour to build an earthly paradise for people.
I got addicted to the hands-on problem-solving through the process of making or designing something. Architecture school was really influential and amazing.
Painting, sculpture and architecture are finished, but the art habit continues.
In Dublin, we open The Dock, our new multidisciplinary innovation R&D and incubation hub where all elements of our innovation architecture come to life. The Dock is a launch pad for our more than 200 researchers to innovate with clients and acquisition partners with a particular focus on artificial intelligence.
But those musics do not address the larger kind of architecture in time that classical music does, whatever each one of us knows that classical music must mean.
Music, architecture and pictures have always been my passions, and all that material wealth has meant for me, is being able to have some of the pictures I liked.
The aesthetic of architecture has to be rooted in a broader idea about human activities like walking, relaxing and communicating. Architecture thinks about how these activities can be given added value.
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