Citas sobre Architecture
763 citas
In China, it's very easy to make architecture special because anything you design will look different, as most parts of the city are very similar. They make so many massive residential buildings.
Architecture is a result of a process of asking questions and testing them and re-interrogating and changing in a repetitive way.
In a way I spend my entire life stealing from everything - from the past, from cities I love, from where I grew up - grabbing things, taking not only from architecture but from Italy, art, writing, poetry, music.
I would fix other people's lines if they asked me on occasion. The hard part of writing is the architecture of it, getting the story and structuring it. Not the tweaking of lines.
Convinced as I am and as I am from my government that the world needs a new moral architecture over all I believe that this should be the first topic to debate in our world of today, ethics, moral.
After World War II great strides were made in modern Japanese architecture, not only in advanced technology, allowing earthquake resistant tall buildings, but expressing and infusing characteristics of traditional Japanese architecture in modern buildings.
My interest in architecture has always been sculptural. Most of my photography is of architecture.
It was nice to finish up Stanford. I think I always felt that I would be there for four years and graduate, and definitely didn't want to leave early. A degree was definitely a plus, and I was having a lot of fun in school. But after football, you know, I don't know. I really did enjoy studying architecture; it was a blast.
In 2008, when Russia attacked Georgia, Western countries took it as an isolated incident, but probably this was the start of the push against our underlying international security architecture. And this push then started a landslide which in 2014 resulted in Crimean occupation.
I'm not a religious person. But, when I look at a beautiful cathedral, what brings awe, what induces awe is the idea that architecture, you know, a beautiful cathedral, a beautiful building.
Personally, one of the greatest sources of inspiration for my work has been architecture. I've had the chance to see so many exquisite structures, whether they are historical monuments or modern commercial premises.
I want to explore my design philosophy in different mediums, and I'm very interested in architecture.
Truly great architecture always transcends its stated function, sometimes in unanticipated ways.
One summer, when I was on break from architecture school in Tijuana, my aunt gave me a summer job cleaning up and peeling garlic, and I got to see her in her element. She was so passionate and such a good teacher, I decided to quit architecture school and go to culinary school in Los Angeles.
Every building is a prototype. No two are alike.
To come to England in the 1970s was to return to this strange other-world of half-known history. I found the imperial architecture curiously familiar: the post office, the town hall, the botanic gardens.
Architecture remains a passion and a subject I'm very interested in. I learned a great deal from studying it and working in it.
Japanese architecture is traditionally based on wooden structures that need renovating on a regular basis.
The 'International Style of Modernism' came with the advent of building services. In the end, the architecture became like a container space, essentially like a boring box with a basement full of machinery to make it inhabitable. As a result, buildings literally started to look identical all over the planet.
I learned to paint in a historical method. First through watercolours and then through oil. Then, when I went to college and to the school of architecture, I took up modern painting.
Opera should be a place for art forms to meet. I've worked a lot with Peter Gabriel; his music isn't operatic, but he creates big, popular gatherings to which architecture, dance, and music are all invited.
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