Citas sobre Architecture
763 citas
I think that narrative, fiction filmmaking is the culmination of several art forms: theater, art history, architecture. Whereas doc filmmaking is more pure cinema, like cinema verite is film in its purest form.
Even though I build buildings and I pursue my architecture, I pursue it as an artist. I deliberately keep a tiny studio. I don't want to be an architectural firm. I want to remain an artist.
The imperial vastness of late Roman architecture was made possible by the invention of concrete.
The thing I love about Rome is that is has so many layers. In it, you can follow anything that interests you: town planning, architecture, churches or culture. It's a city rich in antiquity and early Christian treasures, and just endlessly fascinating. There's nowhere else like it.
My architecture is very much place-related.
The world of sculpture precedes by many years the world of architecture.
When people are deprived of a sense, their other senses get heightened. If you're culturally devoid of something - of weather, of artistry, of interesting architecture, all the way down the line to culture itself - you're either forced to give in and get that car dealership, or you manufacture those things for yourself.
In any architecture, there is an equity between the pragmatic function and the symbolic function.
I mean, certainly writing, painting, photography, dance, architecture, there is an aspect of almost every art form that is useful and that merges into film in some way.
Unesco can rightly be claimed as one of Britain's greatest contributions to that global architecture of peace, and for Penny Mordaunt to be willing to destroy that legacy by withdrawing Britain's membership is nothing but historical and cultural vandalism.
I am immersed in architecture all day, working in my office or teaching.
The ancient Romans built their greatest masterpieces of architecture, their amphitheaters, for wild beasts to fight in.
As a designer, the mission with which we have been charged is simple: providing space at the right cost.
My passion and great enjoyment for architecture, and the reason the older I get the more I enjoy it, is because I believe we - architects - can effect the quality of life of the people.
Working off one genius sketch is not the way great architecture should be made.
To work in architecture you are so much involved with society, with politics, with bureaucrats. It's a very complicated process to do large projects. You start to see the society, how it functions, how it works. Then you have a lot of criticism about how it works.
I have at last admitted that not only was I angry with my mother, but, in fact, I wanted to destroy her as a child. And I was so concerned to be a woman who was different from my mother that I had this vast architecture of rules.
I don't believe that classical architecture is enough to engage people anymore. They say: 'So what else is new?'
I attended classes and taught classes, in Food Anthropology at Pace University, with an anthropology professor. You can trace history by the architecture and food of a place. Food is one of those things that transcends and stays in the culture.
Architecture is by definition a very collaborative process.
My assumption was that all indigenous architecture would be more fractal. My reasoning was that all indigenous architecture tends to be organized from the bottom up. As it turns out, though, my reasoning was wrong.
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