Citas sobre Architecture
763 citas
Architecture is always political.
A building has integrity just like a man. And just as seldom.
The last thing a young artist should do in poetry or any other field is think about what's in style, what's current, what are the trends. Think instead of what you like to read, what do you admire, what you like to listen to in music. What do you like to look at in architecture? Try to make a poem that has some of those qualities.
I was born and spent my first five years in Chester, an ancient city that retains some of its Roman walls and fortifications and contains a great medieval cathedral, as well as Tudor, Stuart and early 19th century architecture. Visiting these things was free, and my parents - who had little money - made the most of this.
I cannot imagine myself fitting into the existing curriculum. I am too self-willed for that and have had my own very definite ideas for a long time, very different from the existing ways, as to how architecture is to be taught.
I've always liked traveling around Europe and seeing the architecture. The buildings in capital cities have been there for hundreds and hundreds and hundreds of years. Some look better than the new ones.
Architecture is about aging well, about precision and authenticity. There is much more to the success of a building than what you can see. I'm not suggesting that gestural architecture is always superficial, but solid reasoning has its place.
I love seeing New York City Ballet from the fourth ring, just seeing the architecture of how these bodies move from above.
For me, architecture is the means, not the end. It's a means of making different life forms possible.
Buildings in modern cities have lost their metaphoric aspect. Much contemporary architecture is very fragmented and busy on the outside. It's like a skin or a skull, but you don't know what's inside.
I used to think that the great thing about sculpture was that, like Stonehenge, it was something that stood against time in an adamantine way, and was an absolute mass in space. Now I try to use the language of architecture to redescribe the body as a place.
I like going for walks in the western harbour, a newly-built area of Malmo where the old harbour used to be. It is surrounded by canals and waterways and the architecture is modern and innovative - the landmark Turning Torso skyscraper, designed by Santiago Calatrava, is the star of the show.
I paint and work as a sculptor, and I see architecture as an art... If you follow this approach you can use techniques to the service of man and to the service of an artistic idea, and beauty.
The intellectual force of the West is still dominant, but other cultures are getting stronger. I expect that we will develop a new way of thinking in architecture and urban planning, and that less will be based on our models.
I believe that architecture, as anything else in life, is evolutionary. Ideas evolve; they don't come from outer space and crash into the drawing board.
Liquid architecture. It's like jazz - you improvise, you work together, you play off each other, you make something, they make something. And I think it's a way of - for me, it's a way of trying to understand the city, and what might happen in the city.
I never studied sculpture, engineering or architecture. In fact, after college I applied to seven art schools and was rejected by all seven.
Besides numerous science courses, I had the opportunity to study philosophy, the history of architecture, economics, and Russian history in courses taught by extraordinarily knowledgeable professors.
A pool at the edge of the ocean is the simplest geometry, yet you feel connected to the sea. In a forest with the mountains in the background, you also feel the connection to nature, yet it's a very complex geometry. I think architecture is about controlling these feelings.
I am an engineer, not just an architect, so I've always been motivated by technique or technology. As soon as technology moves just a little bit, it changes architecture.
My house is my refuge, an emotional piece of architecture, not a cold piece of convenience.
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